Tom Sanford
Out West
TOM PDF WITH CV

The American artist, Tom Sanford, was born in New York in 1975 and spent his formative years in the United Kingdom. He has lived in Harlem since 1994. While generally considered a recluse, he has exhibited art work internationally over the course of the past two decades. Over the course of a career spanning the 21st century, Sanford has exhibited in New York, London, Los Angeles, Rome, Luxembourg, Copenhagen, Naples, Chicago, Madrid, Barcelona, Singapore, Tokyo and a few places you may not have heard of.

Tom Sanford studio photo

Tom Sanford studio photo

Install Shots:

Paintings:

“Patron Saint of Brooklyn (Spike Lee Icon)” 2021
acrylic and fake gold on wood
48 x 36 inches
$6,000 SOLD

“IRON Mike Tyson Icon” 2021
acrylic and fake gold on wood
48 x 36 inches
$6,000 SOLD

“Nas Icon" 2021  acrylic and fake gold on wood  30 x 24 inches  $3,500

“Nas Icon" 2021
acrylic and fake gold on wood
30 x 24 inches
$3,500

Patrick Ewing Icon, 2021 acrylic and fake gold on wood  30 x 24 inches $3,500

Patrick Ewing Icon, 2021
acrylic and fake gold on wood
30 x 24 inches
$3,500

“Crushed Old English Can” 2021
acrylic on wood
24 x 18 inches
$2,500

“Coffee Cup Icon” 2021 acrylic and fake gold on wood  24 x 18 inches  $2,500

“Coffee Cup Icon” 2021
acrylic and fake gold on wood
24 x 18 inches
$2,500

“Burger” 2020
acrylic on canvas
20 x 16 inches
$2,000

“Portrait of the artist at the end of the decade” 2020 acrylic on canvas  20 x 16 inches  $2,000

“Portrait of the artist at the end of the decade” 2020
acrylic on canvas
20 x 16 inches
$2,000

“Ballantine Can” 2020 acrylic on canvas  20 x 16 inches  $2,000

“Ballantine Can” 2020
acrylic on canvas
20 x 16 inches
$2,000

ANYONE SEEKING EVIDENCE OF THE 21ST CENTURY’S INHERENT DEGENERACY NEED LOOK NO FURTHER THAN THE BRAIN-SQUIRTINGS OF TOM SANFORD. THE ARTIST FANCIES HIMSELF A CHRONICLER OF MODERN LIFE—TRAINING HIS PERVERTED EYE ON LOCAL NEIGHBORHOOD NOBODIES AS WELL AS POP-CULTURAL ICONS AND OTHER ARTISTS MORE JUSTIFIABLY FAMOUS THAN HE IS, LIKE ALEX KATZ OR NICOLE EISENMANN. WHAT ARE WE TO MAKE OF THESE GRACELESS GROTESQUES? IF THE ROLE OF THE ARTIST IS TO HOLD A MIRROR UP TO SOCIETY, THEN THIS MIRROR SHOULD MAKE CIVILIZED PEOPLE EVERYWHERE WANT TO PUKE. SANFORD’S RUBBERY FACED AVATARS MAKE ME APPRECIATE THIS PAST YEAR OF QUARANTINE, WHEN I COULD JUST HIBERNATE IN MY APARTMENT AND FORGET THE HUMAN PAGEANT THAT NEW YORK CITY NORMALLY IS. MAYBE HE LOVES THIS STUFF—THE THRILL OF ENCOUNTERING ‘A TOTAL CHARACTER’ AT ONE’S LOCAL ‘DIVE BAR,’ SAY—BUT SANFORD’S PAINTINGS MAINLY REMIND ME OF WHY IT’S SAFER TO STAY INDOORS. -SCOTT INDRISEK, FORMER ART MAGAZINE EDITOR-IN-CHIEF, NOW A TOTAL SELL-OUT WORKING FOR AN INSURANCE STARTUP